AMERICAN FLAMINGO PAINTING AUTOBAHN SERIES

Small, non-fragile items by parcel courier, depending on weight & size, from £3.99 to £9.99 - Normally within 5-7 working days.įurniture Items & Larger fragile Items (Excluding Islands and Scottish Highlands) Postage costs will not be combined between to two categories) (Please note: Paint & Craft items will always be sent and charged separate to furniture and decor items.

Mounted with an antique white conservation grade Daler Rowney mount board.Īll final delivery rates are calculated on checkout.įor brushes & accessories, please use the shipping estimator, which is located at the bottom of product pages.Printed on archival-grade 315gsm paper with fine art inks.These prints are digitally restored using a reference of illustrations from the 1800s.They are then printed with archival grade methods to ensure the highest quality and prevent ageing, all of which are framed and ready to hang. These images of antiquity are brought back to life by a very skilled UK based team who remaster, restore any damage and replicate their original colours. Prints of this style were originally printed in black and white and then hand-painted over the top to give them bright vibrant colours. This print references the famous beautifully hand-coloured Aubudon print from the 1800s. The American Flamingo, also called a Caribbean Flamingo, is a tropical bird found in southwest Florida. Please note: Not all of these are kept in stock in our Gomshall store, please contact us for stock availability if you prefer to collect from our store. We appreciate your patience as we respond to this ongoing situation.Framed American Flamingo Print This print references a beautiful 1800s hand-coloured Audubon illustration. Please note: The Spencer Museum continues to assess the safety of reopening our galleries to the public while following best practices for social distancing. This exhibition is supported by KU Student Senate and the Linda Inman Bailey Exhibitions Fund, and includes generous loans from the Linda Hall Library and the Kenneth Spencer Research Library. The others, including the wild turkey, cedar waxwings, mallard duck, blue jay, flamingo, snowy egret, wood duck, and ruffed grouse, have populations that have either remained stable or increased since the 1970s, sometimes due to human action and sometimes due to bird adaptation.Īudubon in the Anthropocene explores the intertwined relationship between birds and humans since the publication of The Birds of America in 1827, as well as what may become of these birds, humans, and Earth itself in the future.

Two birds, the passenger pigeon and Carolina parakeet, are now extinct, and a third, the ivory-billed woodpecker, is critically endangered. The twelve birds featured in Jackson’s portfolio reflect the intertwined relationships of humans and other life on Earth. Although the term has not been formally adopted by the geologic community, interest in and debate about the Anthropocene coincides with scholarly discussions concerning Earth, its life, and our collective future. Scholars have proposed the “Anthropocene” as a term for our current geological period, characterized by the significance of human intervention in our ecosphere. Each Audubon bird rests amidst potential apocalyptic settings interpreted by Jackson, often referencing final scenarios of the Anthropocene.

AMERICAN FLAMINGO PAINTING AUTOBAHN SERIES

In this portfolio, Jackson dramatically reworks late edition etchings from John James Audubon’s iconic series The Birds of America. Audubon in the Anthropocene highlights a portfolio of prints by contemporary artist Matthew Day Jackson titled There Will Come Soft Rains.

American flamingo painting autobahn